OPERA America

The national service organization for opera, supporting companies, artists, and audiences through grants, professional resources, and advocacy for the art form.

60named by peers

Financial profile

OPERA America · EIN 20-3520577 · 501(c)(3)

Fiscal yearTotal revenueContributionsProgram servicesTotal expensesNet assetsYear end
FY2023$6,851,773$4,102,908$2,368,768$7,509,227$15,496,175Jun 2023
FY2022$5,782,198$3,527,500$1,453,928$6,655,768$15,486,211Jun 2022
FY2021$6,303,804$5,105,542$265,876$5,810,173$18,493,136Jun 2021
FY2020$5,690,929$3,330,397$1,703,499$6,428,191$16,310,235Jun 2020
FY2019$7,807,924$5,149,375$2,266,210$7,697,314$17,470,741Jun 2019
FY2018$5,846,989$3,040,746$2,148,951$6,899,139$16,981,798Jun 2018

Figures exactly as reported. A blank cell was blank on the form. The fiscal year links to the filing.

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Peer societies

Five societies OPERA America is read alongside.

Who backs OA

No public supporter list found as of September 2026.

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Who backs OPERA America's peers, but not OPERA America

Companies named publicly by at least one of OPERA America's five peer societies, and not found in OPERA America's reviewed public records.

CompanyCADUAPAPACDAPeers
Classical Movements, Inc.Business MembershipSILVER SPONSORS2 of 4
DCINYBusiness MembershipSILVER SPONSORS2 of 4
Hal Leonard, LLCBusiness MembershipSILVER SPONSORS2 of 4
Music Contact InternationalBusiness MembershipSILVER SPONSORS2 of 4
Perform International / Perform AmericaBusiness MembershipPLATINUM SPONSORS2 of 4
ACFEA Tour ConsultantsBusiness Membership1 of 4
American Music AbroadBusiness Membership1 of 4
Arts FMSNamed1 of 4
Arts Insurance ProgramNamed1 of 4
AudienceViewNamed1 of 4
Bell Laboratories, Inc.Named1 of 4
Blueprint AdvancementNamed1 of 4
CAMI MusicNamed1 of 4
Catherine French GroupBusiness Membership1 of 4
Chartise Clark ConsultingNamed1 of 4
ChoirmateSILVER SPONSORS1 of 4
Chorus ConnectionBusiness Membership1 of 4
CLABusiness Membership1 of 4
Daily ChoirsGOLD SPONSORS1 of 4
Dance Managers CollectiveNamed1 of 4
Dance TacticsNamed1 of 4
East Bank EntertainmentNamed1 of 4
Easy-WareNamed1 of 4
ECS Publishing GroupBusiness Membership1 of 4
Elsie ManagementNamed1 of 4
Encore Performance Tours (division of ACIS)Business Membership1 of 4
EPIC Arts Management, LLCNamed1 of 4
ETixNamed1 of 4
Firebird Fine Arts ToursGOLD SPONSORS1 of 4
GatewaySILVER SPONSORS1 of 4
Gateway Music Festivals & ToursBusiness Membership1 of 4
Gehrmans MusikförlagBusiness Membership1 of 4
go2harmonySILVER SPONSORS1 of 4
Grand StageNamed1 of 4
Grounded Growth MarketingNamed1 of 4
Harlequin FloorsNamed1 of 4
Harmony Artists, Inc.Named1 of 4
IMG ArtistsNamed1 of 4
J&L CateringNamed1 of 4
KIPLATINUM SPONSORS1 of 4
MAAB L.L.C.Business Membership1 of 4
Manhattan ConcertsGOLD SPONSORS1 of 4
Music Celebrations InternationalBusiness Membership1 of 4
Music1on1 Inc.Business Membership1 of 4
MyMusicFoldersBusiness Membership1 of 4
National ConcertsBusiness Membership1 of 4
NEW Marketing SolutionsNamed1 of 4
OcpGOLD SPONSORS1 of 4
Opus 3 ArtistsNamed1 of 4
RADAR Nonprofit SolutionsNamed1 of 4
See-A-Dot Music PublishingBusiness Membership1 of 4
Soundmirror, Inc.Business Membership1 of 4
StageLyncNamed1 of 4
SteinwayGOLD SPONSORS1 of 4
TAIKOPROJECTNamed1 of 4
TCG EntertainmentNamed1 of 4
WassermanNamed1 of 4
WitteSILVER SPONSORS1 of 4
World Ballet CompanyNamed1 of 4
ZEBRADOGNamed1 of 4

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The outside view

The national service organization for opera, supporting companies, artists, and audiences through grants, professional resources, and advocacy for the art form.

  • Consensus
  • Build
  • Outward
  • Operational

Their shape

The League

Far-flung, and stronger for it.

The League is a federation of many, where the value lives in the connections between its members and chapters. Its gift is reach and resilience, its challenge is holding a shared identity across all its parts.

Also reads toward The Republic and The Movement.

Strengths

→Coordinated scale that punches above its weight.
→Ambition matched by professional execution.
→A credible, unified voice for many.

Not an official page of OPERA America. Sociogene does not consult. Everything here comes from public sources, dated and linked. Something wrong here? Tell us what we missed.